《鸟语》创作传统和纳瓦依《鸟语》研究  

On Traditional Writing Theme Birds' Lingo and The Dialogue of Birds of Nawai

作　　者：吐尔逊.库尔班 

机构地区：[1]新疆大学人文学院,乌鲁木齐830046

出　　处：《哈尔滨工业大学学报（社会科学版）》2013年第3期93-98,共6页Journal of Harbin Institute of Technology(Social Sciences Edition)

基　　金：国家社会科学基金项目"纳瓦依研究"(12BZW142)

摘　　要：《鸟语》题材,不仅是古代波斯、突厥语作家暗示、影射、象征、揭露、批评和鞭打封建社会的工具,而且还成为文学家表达自己世界观的最好的艺术形式。《鸟语》题材从伊本.西拿到穆罕默德.伊本.卡扎里,又从阿塔尔到纳瓦依,不断地发展和演变,最终成为维吾尔族的经典著作。维吾尔文学大师纳瓦依在其寓言哲理长诗《鸟语》中吸收前辈学者的优点,完善了作品的结构、内容以及表达形式。《鸟语》对后世创作的相同题材和主题的文学创作也产生了巨大的影响。The theme of ＂Birds＇Lingo＂ was not only a tool of hinting, alluding, signifying, unmasking, criticizing and lashing feudal society used by ancient time Persian and Turkic writers, it has also been the best artistic form used by writers of to express their world outlook. The theme of ＂Birds＇Lingo＂, which was started by Ibn Sina, continued by Muhammad Ibn Ghazzali, elaborated by Attar, and perfected by Nawai, finally became a symbolic classical work of Uighur people. It is intended in this article to expound the philosophical thinking of Nawai expressed in his epic ＂The Dialogue of Birds＂ Starting from the time of emergence of the theme of ＂Birds, Lingo＂, this paper attempts to analyze its change and development, its influence on this great Uighur writer, and the very original intention of Nawai in composing this epic of ＂The Dialogue of Birds＂.

关 键 词：鸟语传统 纳瓦依鸟语 维吾尔族文学 

分 类 号：I29[文学—中国文学]