美的色调——兼论奥斯卡影像色调的表达机制  

On the Aesthetics of Hue—An Analysis of the Hue Mechanism of Oskar Movies

作　　者：苏月奂[1] 马立新[1] 

机构地区：[1]山东师范大学传媒学院,济南250014

出　　处：《文化艺术研究》2013年第1期154-160,共7页Studies in Culture and Art

基　　金：国家社科基金项目<数字艺术哲学研究>(项目批准号:09BZX060)的阶段性成果

摘　　要：影像色调以一种既模糊又有一定导向的方式辅助影像传达情感和意义。奥斯卡影像的色调运用以表达人性为终极目的,以逼真塑造生活实体为基本宗旨,避免花哨浮躁的形式主义,有的放矢地挑战观众的视觉审美经验,力求取得色调再现和表现的完美平衡,因此最具激发观众自由情感的潜力。Hue of movies helps to convey emotion and meaning with a means of combining blur and some guidance.With expressing humanity as its ultimate goal,and constructing lifelike substance of life as its basic aim,the hue mechanism of Oskar movies avoids blundering formalism;challenges the visual aesthetic experience of moviegoers on target and makes efforts to strike a perfect balance between representation and expression of hue.So it has the best advantage of inspiring moviegoers＇ free emotions.

关 键 词：奥斯卡影像 色调 再现 表现 自由情感 

分 类 号：J901[艺术—电影电视艺术]