试论汉俑造像艺术  

On the Statue-molding Art of Figurines during Han Dynasty

作　　者：孔国庆[1] 高春妍[2] 

机构地区：[1]铜陵学院文学与艺术传媒系,安徽铜陵244000 [2]皖西学院艺术学院,安徽六安237012

出　　处：《安徽农业大学学报（社会科学版）》2013年第3期137-140,共4页Journal of Anhui Agricultural University:SOC.SCI.

基　　金：安徽省人文社会科学重点项目(SK2013A192:<安徽六安双墩汉墓木佣造型风格研究>);安徽省教育厅青年基金项目(2012SQRW162:<〈考工记〉与中国古代设计思想研究>)

摘　　要：汉代艺术在继承了先秦艺术思想的同时,受到中西文化交流和南北文化融合影响,又多了一层人的自信精神。作为汉代雕塑的一种艺术形式,汉俑是这个时期造像艺术的典型代表。受到祖先崇拜思想影响和周汉礼教的约束,汉俑造像在历史与现实、神与人的纷繁交融中,体现着汉民族自信浪漫、自由活泼及简洁雄浑的性格,极富魄力的汉俑造像,见证了汉代艺术的辉煌,并散发出两汉艺术大气而浪漫的精神。Art during Han Dynasty inherits the artistic thought of pre-Qin; meanwhile, it is influenced by the cultural communication between China and the West and the cultural fusion between the North and the South. Therefore, it is added with human confidence spirit. As an art form of sculpture during Han Dynasty, figurines is the typical representation of statue-molding art during this period. Influenced by ancestry worshipping and limited by feudal ethics of Zhou and Han, figurines during Han Dynasty embodies confidence and romance, freedom and liveliness, simplicity and forcefulness in the fusion between history and reality, and between god and human. The charming statue-molding of figurines during Han Dynasty witnesses the glory of the art of Han and diffuses the magnanimous and romantic spirit of the art during Han Dynasty.

关 键 词：宗教性 世俗性 秦楚文化 

分 类 号：J528.3[艺术—艺术设计]