关于1990年代以来先锋诗歌中“个人写作”的概念研究  

A Study of the Idea of "Individual Writing" in Avant-Garde Poetry since the 1990s

作　　者：姜玉琴[1] 

机构地区：[1]上海外国语大学文学研究院,上海200083

出　　处：《江苏师范大学学报（哲学社会科学版）》2013年第3期38-46,共9页Journal of Jiangsu Normal University：Philosophy and Social Sciences Edition

基　　金：2010年上海外国语大学重大项目"当代中外文学关系研究"(项目编号:KX161014)的阶段性成果

摘　　要："个人写作"似乎已经演变成了1990年代以来先锋诗歌的权威命名,研究者们习惯用这个概念来指称、总结那一段先锋诗歌的创作特征。然而这种运用却不是建立在对"个人写作"概念的细致辨析与梳理的基础上,而是建立在对"个人"或者"个人化"的字面理解上,这就导致了不少从事"个人写作"的研究者,包括那些讴歌"个人写作"的人都没有真正理解"个人写作"的真实用意。从根本上说,"个人写作"不"个人",它是一种有关国家、民族、历史和政治的宏大叙事,是部分诗人掀起的一次"反个人"的文学思潮:借着已变了味的道义、责任等名义来逃避文学上本应更多元化的自由,而往道德"一元化"或政治"一元化"上靠拢。遗憾的是,面对创作理念与诗学观念在1990年代的一次大倒退,诗歌理论界非但没有表现出应有的警觉,反而纷纷予以配合与接受。The idea of “Individual Writing” seems to be an authoritative term for the avant-garde poetry since the 1990s. Critics get used to apply this term to refer to and summarize the creative features of the avant - garde poetry in that era. However, this kind of application of the term is not based on a careful study of the idea the term conveys, but on their misunderstanding of its literary meaning of the term “individual” or “individualization”, which results in a failure of grasping the true meaning of the term “individual writing”. In essence, “ individual writing” is not something to do with “ individual” but with the nation, the people, the history as well as the political grand narratives. Precisely, it is a literary trend promoted by some poets to oppose a- gainst individual in order to escape the diversified literature freedom by means of disguised morals and responsibilities. The pity is, facing the recession of creativity and theories in terms of poetry in the 1990s, the academia of poetics is not aware of it, yet on the contrary, ready to accommodate themselves to it.

关 键 词：个人写作 知识分子写作 宏大叙事 先锋诗歌 

分 类 号：P597.1[天文地球—地球化学]