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作 者:吕朝亚[1]
出 处:《丝绸》2013年第5期62-65,共4页Journal of Silk
摘 要:介绍了清新、柔美、婉约、雅致风格的"杭派"女装与朴实淡雅、灵秀婉媚江南文化之间的联系。从"杭派"女装设计理念中的江南文化元素、"杭派"女装色彩中江南文化元素的韵味、"杭派"女装廓形设计中体现的江南文化精神三个角度阐述了江南文化元素在"杭派"女装中的应用。认为"杭派"服装的色彩以素雅的单色或者清新的纹饰为主,廓形大多较为宽松、飘逸,材质以棉和真丝为主,这种"以神写形"将地域文化元素与现代时尚有机结合的理念与设计手法,使"杭派"女装成为近年来中国女装业发展的新亮点。This paper analyzes the connection between "Hangzhou style" women's dresses with freshness,grace and elegance and simple,elegant and charming Jiangnan culture;describes the application of Jiangnan cultural elements in "Hangzhou style" women's dresses from three perspectives-Jiangnan cultural elements in design concept of "Hangzhou style" women's dresses,charm of Jiangnan cultural elements in color of "Hangzhou style" women's dresses,and Jiangnan cultural spirits reflected in profile design of "Hangzhou style" women's dresses;considers that the color of "Hangzhou style" women's dresses is mainly simple and elegant solid color or fresh patterns and they are mostly loose and comfortable;their materials are mainly cotton and real silk.Such concept and design method of "making the form with spirit" which combines regional cultural elements and modern fashion organically makes "Hangzhou style" women's dresses the new bright spot in the development of Chinese women's dress industry in recent years.
分 类 号:TS941.12[轻工技术与工程—服装设计与工程]
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