袁可嘉新诗现代化诗学体系的现代认同  

Modern Identity of Yuan Kejia's Modern Poetics

作　　者：夏强[1,2] 

机构地区：[1]华中师范大学文学院,湖北武汉430079 [2]安徽广播电视大学文法学院,安徽合肥230022

出　　处：《云南师范大学学报（哲学社会科学版）》2013年第3期151-156,共6页Journal of Yunnan Normal University：Humanities and Social Sciences Edition

基　　金：安徽省教育厅人文社科项目"中国现代诗歌知性研究"(SK2012B094)

摘　　要：现代认同是袁可嘉新诗现代化诗学体系的基石,它是自觉接受西方现代知识谱系的影响,在对现代社会和现代文化特征的审视和归纳中生成的。袁可嘉用现代意识观照中国新诗有机整体性的丧失与导致向非诗的症状,建构起具有现实感和现代品格的新诗现代化诗学体系。袁可嘉认为现代诗歌应该是现代社会的文学,具有与现代社会相符的症候;他发现当下中国文化和诗歌也被肢解,有机整体性被破坏,从诗歌内部、诗歌与其他意识形态的关系两个层面导致诗歌走向非诗;他在把捉中国新诗的病症的同时,提出了富有现代感的新诗"感性改革",即现实、象征和玄学的综合传统与生命有机体的现代诗歌本体论。Modern identity is the basis of Yuan Kejia＇s modern poetics and the result of his accepting the contours of Western knowledge and his examining modern cultural characteristics. Yuan has his modern consciousness while examining the loss of the organic whole in Chinese new poetry and con- structs a modern poetics. Yuan holds that modern poetry belongs to the literature of modern society and has its typical features. He thinks that contemporary Chinese culture and poetry have suffered from fragmentation and lost its internal features and its connection with ideology. Yuan has advocated ＂perceptual reform＂ on Chinese new poetry and proposed a poetic ontology that integrates reality, symbol and metaphysics with organic life.

关 键 词：袁可嘉诗学 现代认同 感性改革 有机整体观 

分 类 号：I206.6[文学—中国文学]