白描技法在明清戏曲刊本插图中的渊源及艺术流变  

The Artistic Transfer of the Illustrations in the Ming-Qing Drama Editions

作　　者：王春阳[1] 

机构地区：[1]东华理工大学江西戏剧资源研究中心,江西抚州344000

出　　处：《东北师大学报（哲学社会科学版）》2013年第3期150-153,共4页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：江西省高校人文社会科学重点研究基地研究项目(JD1150);教育部人文社会科学研究青年基金项目资助(12YJC760079)

摘　　要：明清戏曲刊本插图以线造型,塑造了丰富多彩的人物形象、景物特征、环境场景等,风格由古拙凝重发展到清新自如,使白描技法由毛笔描画转变到刻刀雕刻,演绎的是从笔下用线到刀下用线的不同风情。明清戏曲刊本插图中的白描实际上是一部浓缩的刀刻印刷白描艺术史。本文从白描技法的发展概况、白描载体的演变、白描技法的演变等多方面来阐述白描技法的渊源和艺术流变。The illustrations in the Ming-Qing Drama Editions,shaping articles by line,built colorful images,sceneries and setting;it develops in its style from archaic and dignified to fresh and smooth;it transfers the line-drawing technique from brush-painting to graver-carving,describing a different beauty from with line under brush to the line under graver.The line-drawing in the illustrations in the Ming-Qing Drama Editions is rather a line-drawing artistic history concentrated with graver-carving printing.This essay expounds the origin and artistic transfer of the line-drawing from its development profile,its evolving carrier and techniques,etc..

关 键 词：白描 戏曲刊本插图 源流 艺术流变 

分 类 号：J211.2[艺术—美术]