新版电视剧《红楼梦》的改编与创作得失——兼论李少红导演雅化、写意化的风格追求  

Success and Failure of the Adaptation and Creation of New Version Teleplay "A Dream in Red Mansions"

作　　者：刘爱琳[1] 

机构地区：[1]连云港师范高等专科学校,江苏连云港222006

出　　处：《艺术百家》2013年第3期69-72,34,共5页Hundred Schools In Arts

摘　　要：新版《红楼梦》在荧屏上播放以后,遭受了不少媒体和观众的批评指责。笔者认为"新红"的改编确实存在着缺陷瑕疵:一些情节的删改显得突兀机械,旁白过密;演员选择良莠不齐;一些形式要素的运用显得机械突兀,等等。当然,"新红"并非一无是处:首次依据通行文学本再创作,整体上尊重原著;在画面、音乐等元素的制作上有一定的创新性,体现了李少红导演一贯追求的雅化、写意化的艺术创作风格。After the new version teleplay ＂A Dream in Red Mansions＂ plays on screen, it has suffered a lot of erili- cism and accusation from audiences and media. Though there are really defects in its adaptation, however, it still has something worthy of noting. Comprehensively speaking, it respects the original text, and it innovates in music and scenes.

关 键 词：影视艺术 电视艺术 “新红” 改编与创作 得失 导演风格 

分 类 号：J90[艺术—电影电视艺术]