曲牌体唱腔中的燕乐调名  

Tune Names of Yan Music in Qupai Singing

作　　者：庄永平[1] 

机构地区：[1]上海艺术研究所,上海201103

出　　处：《艺术百家》2013年第3期129-135,共7页Hundred Schools In Arts

摘　　要：曲牌体唱腔中的燕乐调名,最终以九宫形式呈现出来的。其中工尺调名系统的乙字调、尺字调、小工调是与原燕乐调名系统的正宫、越调、中吕宫、双调调名关系是相合的,只有正宫调与原仙吕宫不合,这也是传统笛上采取"隔指翻调法"的大三度转调的来由。这一现象可以追溯到受唐代燕乐影响而形成的,日本雅乐十二律名中的神仙律,以及正宫产生后黄钟宫的虚位化等情况;更在于隋唐的琵琶、唐宋的筚篥、元明的笛乐器上具体音位调名的对应。滤清曲牌体唱腔中的燕乐调名及其由来,对研究中国传统音乐有很大的积极意义。Tune names of Yan music in Qupai singing are eventually presented in Jiugong form. Yizi, Chizi, Xiaogong in tune name system of Gongchi notation are consistent with Zhenggong / Yue tune, Zhonglv gong, Shuang tune in the original tune name system of Yan music. Only Zhenggong is not consistent with original Xianlv. And this is the reason why traditional flute transposes in major third. To clear up the tune names of Yan music in Qupai singing and its ori- gin will help a lot for us to sturdy traditional Chinese music.

关 键 词：音乐艺术 戏曲艺术 曲牌体唱腔 燕乐调名 乙字调 尺字调 小工调 正宫调 正宫 黄钟宫 仙吕宫 

分 类 号：J80[艺术—戏剧戏曲]