“文学研究中的哥白尼革命”:国内洛特曼研究述评  

“Copernicus Revolution in Literature Study”:Review of Domestic Research on Lotman

作　　者：李薇[1] 

机构地区：[1]广东轻工职业技术学院,广州510300

出　　处：《重庆工商大学学报（社会科学版）》2013年第4期130-136,共7页Journal of Chongqing Technology and Business University：Social Science Edition

基　　金：教育部人文社会科学研究西部和边疆地区项目(12XJC751003)"超越现代与后现代--德勒兹差异思想及其对当代中国美学理论研究的启示";广东省哲学社会科学(GD12CZW10)"十二五"规划项目"文论创新与经典重译"

摘　　要："文学研究中的哥白尼革命"是国内学界早期对洛特曼填平内部研究与外部研究鸿沟,消弭科学与人文界限的称誉。目前洛特曼正在面临重新语境化,文化身份被改写。就价值立场而言,国内学界趋向将洛特曼美学对接解构主义、文化诗学,强调洛特曼对结构主义的超越格局和后学气象。就理论形态而言,致力于激活洛特曼恢弘的文化视野下符号学具有的哲学、语言学、历史学、文学史、文化史等跨学科特性和方法论本质,原归于结构符号学的单一轨道进度至文化符号学多轨并进。洛特曼原有镜像的转型,不仅开拓了洛特曼理论的接受视野,而且启发了"后理论时代"的文学文化研究。＂Copernictis Revolution in Literature Study＂ is the praise for Lotman＇ s healing the internal research and external re- search gap and eliminating the science and humanities boundaries by early domestic academics. Currently, Lotman is facing cont- extualization again and his cultural identity being changed. In terms of value position, domestic academics incline their theory to deconstrnction and cultural poetics, emphasize its theoretical deeonstruction factor and postmodernism style. From theory of forms angle, domestic academics committed to activate Lotman＇ s magnificent culture from the perspective of semiotics, linguistics, his- tory of philosophy, literature, history, cultural history and interdisciplinary characteristics and methodological essence from single orbit of structural semiotics to multi-orbit development of cultural semiotics. Lotman transformation of the original image not only opens up the Lotman theory of the horizon, but also inspires the＂ post-theoretic era＂ of literary and cultural studies.

关 键 词：文学研究 哥白尼革命 洛特曼 文化符号学 

分 类 号：I512.06[文学—其他各国文学]