欧阳修书学思想及其对苏、黄、米的影响  

The Calligraphy Ideology of OUYANG Xiu and It’s Influence on SU,HUANG and MI

作　　者：王泽玖[1] 

机构地区：[1]丽水学院教育学院,浙江丽水323000

出　　处：《丽水学院学报》2013年第3期44-48,共5页Journal of Lishui University

摘　　要：欧阳修是宋代尚意书学思想的奠基人。欧阳修的书学思想,主要表现为寓道于书的人品观、文人化倾向的雅俗观、自适遣兴的游戏观和重视主体意识的创新观。苏、黄、米受其影响,继承并发展了欧阳修的书学思想,对书法创作、书法审美以及书法批评标准进行了重新梳理与深化,逐渐形成宋代"尚意"书风的核心理念,为宋代书法走向高峰奠定了美学基础。OUYANG Xiu is the founder of the calligraphy ideology of Song Dynasty that valued aesthetical conception.The four major forms of manifestation of his calligraphy ideology includes： his conception of personality implicated in his own style of calligraphy creation,his viewpoint of elegance and vulgarity indicated in his disposition as a literati,his innovative idea of self-adaptation and amusement as well as calligraphy creation that emphasizes the significance of artists.Affected by OUYANG Xiu,SU,HUANG and MI inherited his calligraphy ideology,developed a set of standards regarding creation,aesthetics and criticism and gradually formed the core concept of the style that valued the aesthetical conception helping to establish the aesthetic basis for the calligraphy art of Song Dynasty to reach its climax.

关 键 词：欧阳修 书学思想 尚意书风 

分 类 号：J292.25[艺术—美术]