从“二人转”到“小品王”——“赵本山现象”透视  

From "Er Ren Zhuan" to "The King of Sketch Performance"——Perceptions of Zhao Benshan Phenomenon

作　　者：胡璇[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《湖北理工学院学报（人文社会科学版）》2013年第3期53-56,共4页Journal of Hubei Polytechnic University(Humanities And Social Sciences)

基　　金：中国博士后基金面上资助项目

摘　　要：赵本山在当代文化中已绝非一个传统的农民形象,他可以被看作中国20世纪90年代以来的一个象征性寓言。赵本山的喜剧小品、"二人转"剧场演出、系列影视剧、文化产业链、本山传媒集团、媒介的相关报道与评论,以及社会各方面的反响等,汇聚在当代各种文化力量交织的平台之上,构成了"赵本山现象"这一独特的文化景观。官方的推重与收编、精英的关注与评价、媒介的追捧与大众的认同,共同促成了赵本山今天的商业价值和文化地位。"赵本山现象"在20多年的变化与发展中,无不呈现出丰富而复杂的文化内涵。Zhao Benshan is not merely a traditional peasantg image in the contemporary culture. He can be seen as a symbolic fable since Chinag 90 years. The Zhao Benshan comedy, dance theatre, series of TV dra- ma, the cultural industry chain, the mountain media group, media and comment, and all social repercus- sions, converging on the various cultural forces weird intertwined platform, have formed the Zhao Benshan phenomenon which is a umque cultural landscape. Ti^e official press and incorporation, public attention and evaluation, the elite media identity have contributed to Zhao Benshan＇s commercial value and cultural posi- tion. In the complex cul changes of more tural eonnotation. than 20 years of development, Zhao Benshan phenomenon shows a rich and

关 键 词：“赵本山现象” 文化内涵 文化力量 大众传媒 

分 类 号：G114[文化科学]