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作 者:卢淑樱[1]
机构地区:[1]香港中文大学历史系
出 处:《南开学报(哲学社会科学版)》2013年第3期63-73,共11页Nankai Journal:Philosophy,Literature and Social Science Edition
摘 要:从清末到民国,各式各样的画报陆续出版,以图文并茂的方式,向读者介绍新的信息、影像与概念。以知识分子为读者对象的《东方杂志》,也刊载了一些照片和漫画,丰富了杂志的表达手法,加深了读者的印象;透过转载国内外杂志的图像,更可以凸显《东方杂志》关心的时事问题,并引起国内外媒体的关注,增强了杂志的社会影响力。南京国民政府《东方杂志》刊载的与日本帝国主义相关的照片和漫画,说明20世纪20、30年代中国的报刊杂志已经灵活运用图像,佐证文字内容,增强媒体的说服力;将文字、照片、漫画共冶一炉的特性,加速了反日讯息的传播。以杂志作为文化制成品的历史研究视角,进一步丰富、完善了新文化史的分析框架。From late Qing to the Republican period, there were many pictorials and cartoon magazines published in China, introducing new messages, images and ideas. As an intellectual - oriented magazine, Eastern Miscellany made use of pho- tos and cartoons to deliver messages and stimulate readers interests in current affairs such as Japanese imperialism during the Nanjing decade from 1928 to 1937. These visual images not only supported the argument of articles printed in the maga- zine but also showed what the magazine concerned of were also discussed by other local and overseas periodicals. This arti- cle adopts the framework of new cultural history to analyze the visual images printed and reprinted in Eastern Miscellany in the studied period. It shows that both photos and cartoons were powerful evidences and effective means to support the argu- ment of the magazine and amuse anti - Japanese sentiment.
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