花鼓灯抗战灯歌与国族表演场域的建构  

On Lantern Songs about Anti-Japanese War of Huagu Opera and Construction of Ethnic and National Performance Field

作　　者：陈德琥[1] 沈学习[2] 

机构地区：[1]蚌埠学院继续教育学院,安徽蚌埠233030 [2]中国人民解放军装甲兵学院训练部,安徽蚌埠233050

出　　处：《蚌埠学院学报》2013年第3期118-122,共5页Journal of Bengbu University

基　　金：2011-2012年度安徽省哲学社会科学规划项目(AHSK11-12D200)

摘　　要：花鼓灯抗战灯歌顺应抗日民族解放战争的时代需要,打破了日常表演以家园空间想象为主的惯常出场方式,致力于国族表演场域的建构。为此,国族意识包括疆域感、方位感、空间感等民族国家空间意识的强化成其为主要的价值取向。从场域学说角度审视抗战灯歌的国族表演场域的建构,既是对当代社会空间理论的积极呼应,也是深刻释读抗日战争时期花鼓灯灯歌艺术场域特征和文化表征的重要向度。Conforming to the requirement of Anti-Japanese War period, Lantern Songs about Anti-Japanese War of Huagu Opera have abandoned conventional presentlogy styles which focus mainly on space imagi- nation about homeland and clansmen ideology, for the purpose of constructing ethnic and national perform- ance field and reinforcing ethnic and national concept. As a consequence, value orientation and key posi- ton of performance field of Lantern Songs about Anti-Japanese War of Huagu Opera have concentrated on ethnic and national concept involving propagation of space ideology dealing with senses of territory, posi- tion and space. It is of great significance to analyse ethnic and national performance field of Lantern Songs about Anti-Japanese War of Huagu Opera from the perspective of Presentlogy, in that the study can re- spond actively to social space theory which turns out a hot topic of contemporary humanities and social science, besides, it is a major dimension to deeply interpret features and cultural characterization of per- formance field of Lantern songs about Anti-Japanese War of Huagu Opera.

关 键 词：花鼓灯 抗战灯歌 国族表演场域 国族意识 

分 类 号：I276[文学—中国文学]