唐代公主书法艺术管窥  

A Brief Glimpse at the Calligraphic Art of Princesses in the Tang Duynasty

作　　者：常春[1] 

机构地区：[1]西安美术学院国画系书法研究中心,陕西西安710065

出　　处：《陕西师范大学学报（哲学社会科学版）》2013年第3期91-96,共6页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：国家社会科学基金项目(09CF084);陕西省教育厅科学研究计划项目(12JK0320)

摘　　要：唐代玉真公主所书《大唐故金仙长公主墓志》宗法欧阳,秀丽妍逸,骨肉端方,楷法森严。文献记载的唐代善书公主还有临川公主、长乐公主、兰陵公主、晋阳公主、代国公主、鄎国公主。唐代公主书法文化的繁荣,不仅与唐代浓郁的习书风气和完备的教育制度相关,更与她们的家庭教育尤其是与唐代帝王的倡导密不可分。The Epigraph of JingXian the Late Eldest Princess of the Great Tang brushed by Yuzhen the princess of the Tang Dynasty followed the style of Ouyang Xun, showing a decent and easy design, square and straight lines and skilled techniques of regular script. According historical records, other skilled calligrapher princesses in the Tang Dynasty were the princesses of Linchuan, Changle, Lanling, Jinyang, Daiguo, and Xiguo. The prosperous calligraphy of the rpincesses in the Tang Dynasty had much to do with the strong atmosphere of calligraphy training and the complete system of education. It was also associated with their good family education, especially the strong recommendation of the emperors in the dynasty.

关 键 词：唐代书法 公主 《大唐故金仙长公主墓志》 

分 类 号：K242[历史地理—历史学] J292.1[历史地理—中国史]