《陈可常端阳仙化》为明代作品考  

On Research of the Era of Kechang Chen Became Immortal in the Dragon Boat Festival

作　　者：田冬梅[1] 张颖夫[1] 

机构地区：[1]大理学院,云南大理671003

出　　处：《大理学院学报（综合版）》2013年第5期28-31,共4页Journal of Dali University

摘　　要："三言"是中国古代成就最高的白话短篇小说集,关于其中作品的成书时代依然存在着很大的争议和研究空间。《警世通言.陈可常端阳仙化》一文,胡士莹和郑振铎两位先生认为是宋人话本,实则应为明代作品。首先,对前人提出的"宋人话本"说的研究观点提出质疑;其次,根据宋元明时期刑法制度的差异,"沙门岛"领土所属权的变化,证明这篇作品绝非创作于南宋时期;最后,根据"温州府"和"临安府"行政区划的历史沿革,进一步证明这篇小说为明代作品。＂San Yan＂ are the best novels＇ collections of vernacular short stories in ancient China. There are still lots of controversies and research space about the novels＇ creative era. Through investigation, the author believes that the novel of Kechang Chen Became Immortal in the Dragon Boat Festival was created in the Ming Dynasty. First of all, the author questioned the previous researching point of view that they thought the novel was written in the Song Dynasty; secondly, according to the differences of the criminal justice system in the Song, the Yuan, the Ming Dynasty, the change of ＂Samen Island＂ territorial right, proved that the novel couldn＇t be written in the Southern Song Dynasty;finally, according to the administrative divisions＇ history of the ＂Wenzhou government＂ and ＂Lin＇an government＂, the author proved that the novel was written in the Ming Dynasty.

关 键 词：《陈可常端阳仙化》 沙门岛 温州府 临安府 

分 类 号：I207[文学—中国文学]