影视时间的表现手法  

The Techniques of Expression of Film and Television Time

作　　者：张向娟[1] 白粒沙[1] 

机构地区：[1]河南城建学院,河南平顶山467036

出　　处：《科教导刊》2013年第11期170-170,198,共2页The Guide Of Science & Education

摘　　要：影视是一种时空高度自由化的艺术,与现实生活中连续的时间不同,影视中的时间是非连续的,是自由的,可以受导演主观意识的控制。从观众的接受的角度划分,影视时间存在播放时间、叙述时间、心理时间三种时间形式。其中叙事时间是通过剪辑创造出来的蒙太奇时间,它打破了现实生活中的连续性,创造出来了并非连续的连续感。了解影视时间的表现手法对我们创造影片有很好的指导作用。影视处理时间的方法一般有延长、压缩、停滞、实时等手法。Film and television is a highly free art in space and time. Film and television time is different from the continuous time in real life, this kind of time is discontinuous and free and can be controlled by subjective consciousness of directors. Divided from the angle of audience, film and television time has three forms of broadcasting time, narrative time and psychological time. The narrative time is the montage time created by film editing and it breaks the continuity of the real life and creates the continuous sense that is not continuous in fact. To understand the techniques of expression of film and television time has a a good guiding role for us to create films. The methods of processing film and television time are usually extension, compression, stagnation and real time.

关 键 词：影视时间 叙事时间 

分 类 号：J93[艺术—电影电视艺术]