朴学宗师之承接——江永的音乐史学研究  

Research on Jiang Yong’s History of Music Works and His Thought on History Music

作　　者：黄敏学[1] 叶键[2] 

机构地区：[1]西北师范大学音乐学院,甘肃兰州730070 [2]安徽大学艺术学院,安徽合肥230061

出　　处：《学术界》2013年第5期208-214,288,共7页Academics

基　　金：2013年教育部人文社科青年项目<中国音乐史学现代转型研究>的研究成果

摘　　要：江永为清代皖派经学宗师,其乐学著述以《律吕新论》、《律吕阐微》为著,其音乐史学思想则主要集中于《律吕新论》一书中。江永不仅对朱载堉的十二平均律理论予以细致衍算,深入阐发,还就中国音乐历史的发展趋势提出"俗乐可求雅乐"、"声音自有流变"等富于真知灼见的学术观点,形成其独到的音乐史学思想体系,也为今天的音乐史学研究提供了研究思路与理论依据。Jiang Yong is the master of Pu School in Qing Dynasty. His representative history of music works are New Papers on Musical Temperament and Interpretation of Music Temperament,and his thought of music history mainly focused on New Papers on Music Temperament. He had an in - depth study of musical temperament. In his profound ideas,Chinese ancient music is evolving generation by generation,and we can recover ancient court music from folk music in this time. It not only frames his unique music historian ideological system,but also affects our research on Chinese music history today.

关 键 词：江永 乐律学 音乐史学 思想 

分 类 号：J609.2[艺术—音乐]