“悠然望南山”与“悠然见南山”——陶渊明诗歌经典化中的“苏轼效应”  

“Gazing far at the South Mountains Leisurely” and “Seeing the South Mountains Leisurely”——“Su Shi's Effects” on the Classicalization of Tao Yuanming's Poems

作　　者：周晓琳[1] 

机构地区：[1]西华师范大学文学院,四川南充637009

出　　处：《西华师范大学学报（哲学社会科学版）》2013年第3期44-49,共6页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：四川省哲学社会科学重点研究项目(SC11A004)

摘　　要：宋代大文豪苏轼对于陶渊明《饮酒》其五的精妙解读,对于该诗的经典化发挥了重要作用。"苏轼效应"首先在诗学批评领域和校勘学领域迅速体现出来,同时,呈现出由文学领域向建筑领域渗透的倾向,受苏轼解读的影响,以"悠然见南山"意境命名的建筑景观相继出现。更为重要的是,经苏轼阐释后的"采菊东篱下,悠然见南山"作为陶渊明形象的独特标志而演示着一种潇洒、自由的生活状态,继而表征一种独立、高洁的人格范式,得到后世文人的普遍认可与积极效仿。For Tao Yuanming＇s fifth poem ＂Drinking＂, the exquisite interpretation by Su Shi, the eminent writer in Song Dynasty plays an important role in its classiealization. Su Shi＇s interpretation has effects not only on the poetic criticism fields and the field of collation science, but also on the construction field. The architectural landscapes which are given names after the artistic conception ＂seeing the South Mountains leisurely＂ appear one after anoth- er. And more importantly, the interpretation of the verses ＂While picking up chrysathemum at the east of the hedge, seeing the South Moutains leisurely＂ by Su Shi become a unique symbol for Tao Yuanming＇s image, which is recognized generally and followed actively as an independent, noble personality paradigm by the later writers.

关 键 词：陶渊明 诗歌 经典化 苏轼效应 

分 类 号：I207.22[文学—中国文学]