中国古代文学批评话语的叙事艺术——以《文心雕龙》为例  

On Narrative Art of Critical Discourse in the Ancient Chinese Literary

作　　者：王毓红[1] 

机构地区：[1]广东外语外贸大学外国文学文化研究中心,广东广州510420

出　　处：《三明学院学报》2013年第3期1-6,共6页Journal of Sanming University

基　　金：广东省高等学校人才引进专项资金项目(122-GK110026);广东外语外贸大学创新研究项目(12ZXGG02)

摘　　要：刘勰据事叙理,言非蹈虚,敷述昭情,善入史体。《文心雕龙》里存在着顺叙、逆叙、补叙、正叙、借叙、插叙、直叙、婉叙、铺叙、略叙、意叙、先断后叙与先叙后断、假议论以叙与夹议论以叙15种叙事法,其中,顺叙最基本。刘勰批评话语叙事有常,历时性顺叙是《文心雕龙》大部分篇章中的基本序列。然而,这种序列并不单一。刘勰通常得心应手,运用多种叙事法把它组合成可以呈现出多种形式的复合序列——常中有变、正中有奇是其结构特征。Liu Xie was good at historical narrative art whose detailed narrative is based on facts and expressed emotions. There are 15 narrative methods in Wen Xin Diao Long, such as chronological narrative, narrative from the back, supplemen- tary narrative, direct narrative, indirect narrative, insert narrative, concise narrative, profound narrative, detailed narrative, brief narrative, narrative with meaning, interrupted after narrative, narrative then stop, with narrative discussion and tucked narrative discussion, in which chronological narrative is the basic sequence. It shows that chronological narrative is the basic rule in Liu Xie＇s critical discourse narrative. However, it is not monotonic. By comprehensively using other methods, Liu Xie often combined it into a composite sequence, which can exhibit various forms with changing characteristics.

关 键 词：刘勰 文心雕龙 叙事法 

分 类 号：I206.2[文学—中国文学]