论陕北前期丁玲文艺思想的二重性  

On the Duality of DingLing's in Early Stage in North Shaanxi

作　　者：秦林芳[1] 

机构地区：[1]南京晓庄学院文学院

出　　处：《南京社会科学》2013年第6期121-128,共8页Nanjing Journal of Social Sciences

基　　金：教育部人文社会科学研究规划基金项目"‘两种文学传统’视野下的丁玲文学道路研究"(10YJA751058);江苏省社会科学基金项目"两种文学传统与丁玲文学道路研究"(09ZWB004)的阶段性成果

摘　　要：陕北前期,在对文艺的本质和功能的认识上,在对文艺表现目的和表现对象的理解上,在对作家知识分子立场的评判上,丁玲均表现出了鲜明的二重性。一方面,她宣扬"文艺从属于政治"、"文艺为大众"和"改造知识分子思想感情";另一方面,她又申张文艺的独立性质、文艺"化大众"的责任和创作主体的知识分子立场。这说明,在丁玲此期文艺思想中同时存在着以政治为核心的功利型文艺观和以个体为核心的启蒙型文艺观的元素。二者的并置,缘于其自我身份的复杂性及其思想意识的矛盾性;同时,在那一时期也具有其典范意义。There is the distinct duality in DingLing＇ s literary thoughts in early stage in north Shaanxi. On the one hand, she propagated that ＂literature and art are subordinate to politics＂ and ＂literature and art serve the public＂ and ＂the thoughts and feelings of intellectuals should be re- moulded＂ ; On the other hand, she advocated the independent character of literature and art and the duty of it in remoulding the public and intellectuals＇ stand of writers. The duality of DingLing＇ s lit- erary thoughts came from her complicated identity and contradictory ideology; And it had the typical meanings in that period also.

关 键 词：丁玲 文艺思想 二重性 陕北前期 

分 类 号：I207.65[文学—中国文学]