试论昌黎地秧歌《跑驴》的文化审美价值  

Discuss0n the Cultural Aesthetic Value of Changli Yangge Riding a Donkey

作　　者：傅丽娜[1] 张玉梅[2] 

机构地区：[1]石家庄幼儿师范高等专科学校,石家庄050228 [2]石家庄学院,石家庄050228

出　　处：《北京舞蹈学院学报》2013年第3期69-72,共4页Journal of Beijing Dance Academy

摘　　要：昌黎地秧歌是河北传统民间舞蹈中最具代表性的舞种之一,它与陕北秧歌、山东鼓子秧歌、东北秧歌一并称为中国的"四大秧歌"。2006年被列入国家首批非物质文化遗产名录。昌黎地秧歌以丑的表演最突出,其中《跑驴》就艺术地再现了这一审美特征。它最引人注目的就是丑角的表演,扮相滑稽,表演逗人,充分体现了地秧歌特有的风趣、幽默和强烈的地方色彩,通过戏剧性的夸张表演,给观众带来精神上的娱乐。这一雅俗共赏的民间舞蹈艺术,以其独特的艺术魅力,在繁花似锦的秧歌大家族中,独树一帜。Changli Yangge is one of the most representative traditional folk dances in Hebei, which referred to the China＇s Four Yangkos with Shanbei Yangge, Shandong Drum Yangko, Northeast Yangko. It is listed in the first batch of National Intangible Cultural Heritage in 2006. Changli Yangko is distinguished by the ugly performance as the most prominent characteristics, which the ＂Riding a Donkey＂ artistically reflect and reproduce this aesthetic characteristics. The most striking part is the clown performances; it fully reflects the Yangge＇s unique wit, humor and strong local flavor with funny costume and performances, to bring a spirit of entertainment to the audience through the dramatic exaggerated performances. This widely appealing folk art of dance by its artistic charm evolved as the Features and contends in this thriving Yangge family.

关 键 词：昌黎地秧歌 《跑驴》 文化审美价值 审美认同 美与丑 

分 类 号：J722.211[艺术—舞蹈]