主体的分裂与文明的隐喻——论《蝇王》中的拉康式诗学  

SPLIT SUBJECT AND ITS METAPHORICAL READING——on the Lacanian Structure in Lord of the Flies

作　　者：杨新立[1] 

机构地区：[1]河南工业大学外语学院,河南郑州450001

出　　处：《河南工业大学学报（社会科学版）》2013年第2期123-127,共5页Journal of Henan University of Technology:Social Science Edition

基　　金：2012年河南省教育厅人文社科项目(2012-QN-084);2013年河南省社科联项目(SKL-2013-1692)

摘　　要：《蝇王》是一部以拉康哲学为基本结构,隐喻人类文明发展脉络的经典作品。揭示了在欲望驱力下,主体被割裂为自我和一个被符号化的社会意象,自我建构的结果只是一个幻像。利用拉康的相关理论,把主体心理结构的发展与社会文化结构以及语言象征结构相结合,讨论《蝇王》中体现的拉康式诗学。Lord of the Flies is a classic novel with Lacanian philosophy as its intrinsic structure, embodying the development map of human civilization. It reveals a gelded social image with the subject split into self driv en by desire and what becomes of his self construction efftors is just a fantasy. The paper discusses the Laca nian Structure embodied in Lord of the Flies and combines the development of the subject psychological struc ture with social and cultural structures and the symbolic structure of language by making use of Lacan~ theory.

关 键 词：主体 文明 他者 

分 类 号：I106.4[文学—世界文学]