中国岩画中的原始宗教文化考释  

Investigation on Primitive Religious Culture of Chinese Rock Paintings

作　　者：童永生[1,2] 

机构地区：[1]南京艺术学院博士后流动站,南京210013 [2]巢湖学院艺术学院,安徽巢湖238000

出　　处：《西北农林科技大学学报（社会科学版）》2013年第4期173-180,共8页Journal of Northwest A&F University(Social Science Edition)

基　　金：中国博士后基金面上资助项目(2012M511786);教育部人文社科研究规划基金项目(10YJAZH074);巢湖学院科研启动基金项目

摘　　要：岩画作为流传至今的人类最早最辉煌的艺术遗产,也是远古人类活动的真实记录。在我国岩画中,有很多有关原始宗教的题材,主要表现了自然崇拜、图腾崇拜、祖先崇拜、生殖崇拜等方面的内容。中国岩画中所反映的原始宗教已大致具备某些人为宗教的特质和要素,既高于一般意义的原始宗教又不能纳入到人为宗教的范畴,是介于原始宗教和人为宗教之间的一种过渡形态,属于变异原始宗教类型,在一定程度上具有地域民族宗教的特色和意义。Rock paintings are the earliest form of brush as well as the most glorious artistic heritage of human beings. In the Chinese rock paintings, the main aspects of content show the natural worship, totem worship, ancestor worship, and reproduction worship. The primitive religion reflected in the Chinese rock paintings has roughly pos- sessed some religious characteristics and factors, both higher than a general sense of primitive religion but not in- cluded into the religions category, which is a transitional form between the primitive religion and man-made reli- gion, belonging to mutate primitive religious type in a certain extent, with local characteristics and national religious significance.

关 键 词：中国岩画 原始宗教 自然崇拜 图腾崇拜 祖先崇拜 生殖崇拜 

分 类 号：D635.1[政治法律—政治学]