陈澧的诗学观念及其学人之诗  

Chen Li’s Poetic Ideas and Intellectuals Poetry

作　　者：谢永芳[1] 

机构地区：[1]黄冈师范学院文学院,湖北黄冈438000

出　　处：《聊城大学学报（社会科学版）》2013年第4期7-19,共13页Journal of Liaocheng University:Social Science Edition

基　　金：湖北省教育厅人文社科项目(2011JYTE066):晚清民国诗词专题研究

摘　　要：陈澧在诗论文字中拈出的"清"范畴,在其诗学观念中占有显著地位。陈澧既喜欢在诗学批评中使用这一范畴,自己的创作也注重在"清"上下工夫,所作每多缠绵悱恻之音。陈澧身丁衰世,作诗又深受岭南传统雄直诗风的濡染,因而另外有一部分诗歌清劲峻峭,意趣盎然,并且直接影响、渗透到他基于学人修为而创作的作品。这部分学人之诗,主真重变,强调理性思致对创作过程的掌控,却并非以取材博者为尚,也不是以学问为诗材,因而不尚雕刻,也不欲显豁,代表了晚清学人之诗的新动向。Chen Li brought up the ＂clear＂ category in the poetics text, figured prominently in his poetic ideas. Chen Li like use this category in poetic priticism areas, also pay attention to his own creative work. Chert Li＇ s poetry inspired by the traditional Lingnan style, thus another part of the poetry recreate themselves, and directly affect into his creative works based on the cultivation of the school. This part of the poem emphasize controlling of the creative process, represents the new trends of the poetry of the late Qing Dynasty scholar.

关 键 词：陈澧 学人之诗 清劲峻峭 诗学观念 诗史定位 

分 类 号：I206.2[文学—中国文学]