谈中国新感觉派对意识流的接受  

On the Acceptance of Stream of Consciousness by Chinese Neo-sensationalists

作　　者：陈斌[1] 王琴[1] 

机构地区：[1]安徽建筑工业学院外语系,安徽合肥230001

出　　处：《淮海工学院学报（人文社会科学版）》2013年第6期62-64,共3页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

摘　　要：中国新感觉派受启于日本新感觉派,致力于用现代主义创作方法进行小说创作。从他们的作品中可以发现其对意识流手法的接受:善于把握人物心理的微妙波动,从无意识的角度为人物的行为寻求深层心理学解释;重视人物的主观感觉,采用一种感觉化的叙事方式;打破了传统小说的单线结构,采取了灵活的结构形式。中国新感觉派在借鉴和尝试意识流手法的同时并没有完全抛弃中国文学的现实主义传统,而是将二者有机结合,形成了独有的文学特征。Chinese Neo-sensationalists are inspired by Japanese New Sensualists and devote themselves to the crea- tion of fictions by adopting modernism. The acceptance of stream of consciousness techniques is found in their works： being adept in seizing subtle mental fluctuations of characters, seeking deeper psychological interpretation of characters＇ actions from the angle of unconsciousness, attaching importance to characters＇ subjective sensation, using a narrative technique abound in different senses and using a more flexible structure to replace the single-line structure of conventional fictions. When learning and making trial use of stream of consciousness techniques, Chinese Neo-sensationalists never abandon the realistic tradition of Chinese literature, instead they combine the two organically and thus form its unique literary nature.

关 键 词：意识流 新感觉派 接受 

分 类 号：I207.65[文学—中国文学]