“真正的女性”的觉醒与背叛──评《堕落之后》中的家庭主妇―母亲角色  

The Awaking and Betrayal of “True Womanhood”──A Study of Housewife-mother Figures in After the Fall

作　　者：姚小娟[1] 于金林[1] 

机构地区：[1]东北石油大学外国语学院,黑龙江大庆163318

出　　处：《西南科技大学学报（哲学社会科学版）》2013年第4期58-60,83,共4页Journal of Southwest University of Science and Technology:Philosophy and Social Science Edition

基　　金：2012年黑龙江省教育厅人文社会科学研究项目资助"女权主义视角下阿瑟.米勒戏剧中妻子和母亲角色研究"(项目编号:12524008)

摘　　要：20世纪早期,"真正的女性"将女性禁棝于顺从听话的女儿,贤淑的妻子和牺牲的母亲。在《堕落之后》中,阿瑟.米勒描述了家庭主妇—母亲露丝为了做顺从女儿所受到的痛苦,同时也刻画了露丝为了挣脱贤妻良母的束缚而背叛丈夫和儿子的觉醒过程。通过家庭主妇—母亲追求自我,实现自己的抱负并满足自己需求的抗争,米勒证明自己完全有能力创造真实可信的、正面的、反抗的家庭主妇—母亲形象。In the early 20th century, the cult of ＂True Womanhood＂ confined women into submissive and docile daughters, loving wives and sacrificial mothers. In After the Fall, Arthur Miller describes house- wife-mother Rose＇ suffering of being a docile daughter, and simultaneously depicts Rose＇ awakening and betrayal against her husband and son in order to shake off the bound of the image of perfect wife and moth- er. Through housewife-mothers＇ self-pursuit and the rebellion of realizing their ambition and meeting their demands, Miller proves that he is capable of creating authentic, believable, positive and rebellious house- wife-mother figures.

关 键 词：真正的女性 《堕落之后》 家庭主妇 母亲 觉醒 背叛 

分 类 号：I106.3[文学—世界文学]