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机构地区:[1]吉林大学,长春130012
出 处:《阅江学刊》2013年第3期122-127,共6页Yuejiang Academic Journal
基 金:国家社会科学基金项目"排律文献研究"(06BZW022);吉林大学优秀研究生教材出版资助项目(201201)
摘 要:宋代咏史词成为与咏史诗分庭抗礼的一种体裁。范仲淹开北宋怀古咏史词的先声,苏轼、王安石雄居于前,柳永用慢词写怀古题材,贺铸、周邦彦为北宋的怀古咏史词画上了句号。辛弃疾把怀古咏史词推到高峰,金陵怀古、赤壁怀古、京口怀古是南宋怀古词之大宗。金代的怀古咏史的巨擘为元好问。元代以写怀古词而著名的作家前数白朴,后推萨都剌。明代杨慎、吴易、夏完淳咏史词抒发对故国的沉重咏叹。清朝吴伟业、陈维崧、曹贞吉、纳兰性德等人的创作都达到了较高的艺术成就。Historical lyrics became an equal as historical poems in the Song Dynasty. FAN Zhong-yan initiated the prosperity of lyrics in Northern Song Dynasty when SU Shi and WANG An-shi had already done great job on it. LIU Yong wrote slow words about meditating on the past. HE Zhu and ZHOU Bang-yan put an end to the history of historical lyrics in Northern Song Dynasty. XIN Qi-ji in the Southern Song Dynasty, pushed the historical lyrics to the peak. His works, such as Jinling nostalgia, Chibi nostalgia and Jingkou nostalgia were masterpieces among those nostalgia Ci in the Northern Song Dynasty. YUAN Hao-wen was a leading figure in the field of historical lyrics in Jin Dynasty. BAI Pu and SA Dou-la were the leading figures in YUAN Dynasty. The historical lyrics created by YANG Shen, WU Yi and XIA Wan-chun from Ming Dynasty expressed the heavy chant to the homeland. In Qing Dynasty, the creation of WU Wei-ye, CHEN Wei-song, CAO Zhen-ji, Nalanxingde all has reached a high artistic achievement.
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