中国传统武术技击对抗模式的异化与回归  

The Cultural Dissimilation and Return of The Mode of Attack and Defense in Chinese Traditional Wushu

作　　者：李忠京[1] 

机构地区：[1]福建师范大学体育科学学院,福建福州350108

出　　处：《吉林体育学院学报》2013年第3期104-107,共4页Journal of Jilin Sport University

摘　　要：中国传统武术技击被多重沉积压附,通过剥离分析后得出技击的本质乃是一个体系完善的对人肢体以及心理上的时空性控制术。在西方强势文化的影响下技击被异化成多种模式,有影视模式、拳击模式、腿击模式、摔跤模式、推手模式、散打模式等。只有通过设计出使技击技巧、生活场景（工具）、科技（保护作用、器具制作）等诸多因素融和在一起的比赛模式,才能克服异化且达到传统技击的文化回归。It is believed that the attack and defense in Chinese traditional Wushu has been under the pressure of loads of cultural deposition and can not show us its character clearly. However, by the ways of separating elements and analysing according to principles, the essence of it can be revealed as a systematic space and time control in both human body and psychology. With the in- creasing dominance of western culture, attack and defense has gradually developed into various modes, including the mode of TV and film, boxing, kicking, wrestling, tuisho, sanda, ect. Consequently, the traditional attack and defense can not resist a cultural dissimilation ,let alone moving toward cultural return, only if we could design a kind of competition mode which blends several factors together, such as skills of attack and defense, survival context （tools）, and technology （protective action, appliances production）.

关 键 词：传统武术 技击 模式 文化异化 文化回归 

分 类 号：G852[文化科学—民族体育]