佩列文:一个后苏联时期的文学标本  

Victor Pelevin:A Typical Samples of Post-Soviet Literature

作　　者：王树福[1,2] 

机构地区：[1]华中师范大学文学院 [2]黑龙江大学俄罗斯语言文学与文化研究中心

出　　处：《俄罗斯文艺》2013年第3期36-43,共8页Russian Literature & Arts

基　　金：教育部人文社会科学重点研究基地重大项目"20世纪外国文学思想史系列(俄苏卷)"(项目编号:05JJD750.1144208)的阶段性成果;国家留学基金资助

摘　　要：后苏联时期的二十多年来,著名作家佩列文通过体裁各异、手法不同和主题有别的文学创作,在相当程度上不仅促进了后现代主义在俄罗斯合法化,使严肃文学与通俗文学的边界彼此消弭,也使当代俄罗斯小说文类综合化,形成兼具传统与先锋、超越与眷顾特质的"合成小说"。与此同时,佩列文促使中国文学因素超出学界研究范围而成为审美因素,使当代俄罗斯文学呈现出别样的中国文化图景,进而成功地部分改写着当代俄罗斯文学史,实现了文学态势从单声部一元化到多声部复调化的转换,影响着当代时代话语的嬗变和转化。由此,佩列文的文学创作成为后苏联时期俄罗斯文学嬗变和发展的典型标本。In the recent 20 post-Soviet years, through his literary works of different genres, methods and themes, famous Russian writer Victor Pelevin not only promotes the legalization of postmodernism in Russia, the boundary fusion of serious literature and popular literature, but also makes different fiction genres integrated, and forms the synthetic novel, which contains both traditional culture and avant-garde art, both transcendental and favoring characteristics. Meanwhile, Pelevin brings Chinese literature out of the academic research range and into the cultural aesthetic area, by which contemporary Russian literature shows a different picture with Chinese culture. As a result, he succeeds in partly rewriting the history of contemporary Russian literature, realizes the transformation of Russian literature from monophony to polyphony, and influences the changes of contemporary Russian discourse. In one word, Pelevin＇ s literary creation is a typical sample of the evolution and development of Russian literature in the post-Soviet years.

关 键 词：维克多·佩列文 文学标本 后苏联文学 后现代主义文学 合成小说 

分 类 号：I512.06[文学—其他各国文学]