德国启蒙悲剧的文化追问  

A Cultural Inquiry into the German Enlightenment Tragedy

作　　者：张园[1] 

机构地区：[1]黑龙江大学文学院,比较文学与文化研究中心

出　　处：《文艺理论研究》2013年第3期208-214,共7页Theoretical Studies in Literature and Art

基　　金：国家社会科学基金项目"德意志文化启蒙与现代性的文艺美学话语研究"(10BZW022);黑龙江大学博士科研启动基金项目"德国浪漫派与现代性的审美批判"阶段性成果

摘　　要：透过德国戏剧的发展,在现代性视域的关切中,可以发现18世纪50年代——19世纪30年代以莱辛、歌德、席勒为代表的德国悲剧创作深受启蒙运动的影响,是一种独立的启蒙文化现象,深刻体现了德国启蒙运动的特质并为德国民族文化注入了现代性,完全可称之为德国启蒙悲剧。借助戏剧的审美性,德国启蒙悲剧充分表达了德国启蒙文化的现代性精神历程,其表达的现代性极为生动而真切地体现在五个方面。In the light of modernity horizon, the German tragic dramas from 1850s to 1930s represented by Schiller, Goethe and Lessing may be argued to have been most deeply influenced by the Enlightenment Movement and become an independent cultural phenomenon of Enlightenment. The German tragic drama embodies the characteristics of German Enlightenment and infuses mo- dernity to the German national culture, and it may well be called Enlightenment Tragedy. German enlightenment tragedy becomes an expression of the modernistic pursuit of German enlightenment culture, and the paper demonstrates the five aspects of the mo- dernity German enlightenment tragedy pursued.

关 键 词：德国启蒙悲剧 启蒙文化 现代性 

分 类 号：I516.073[文学—其他各国文学]