论中国歌剧一度创作的基本经验  

First-Hand Compositional Experience of Chinese Operas

作　　者：居其宏[1] 

机构地区：[1]南京艺术学院,江苏南京210013

出　　处：《音乐探索》2013年第3期3-9,共7页Explorations in Music

基　　金：教育部人文社会科学重点研究基地重大项目"中国歌剧音乐剧发展状况研究"中期成果;课题批准号:08JJD760083

摘　　要：中国歌剧艺术自20世纪20年代诞生以来,其一度创作在90余年的发展历程中积累了极为丰富的历史经验,即广纳博收的艺术胸怀,以我为主的创造意识,贴近时代的题材选择,剧、诗并茂的剧本文学,鲜明浓郁的民族风格,声乐为主的歌剧范式,如歌旋律至上的音乐思维,雅俗共赏的审美取向和形神兼备、歌演俱全的表演艺术。这些经验,不仅是书写中国歌剧创作母语文化特质之新型载体,更是支撑中国歌剧艺术继往开来的精神脊梁。Chinese opera was born in 1920s. The composes have accumulated abundant experiences, and achieved an extensive artistic mind, as well as an opera model of nation-oriented creation awareness, contemporary themes, dramatic and poetic libretto, a bright and distinct national style, and a vocal-oriented form. It has become a melo- dy-centered, suit-both-refined-and-popular-taste, and a singing--acting form of art. These experiences are vitally important for the future of Chinese opera.

关 键 词：中国歌剧 一度创作 基本经验 

分 类 号：J822[艺术—戏剧戏曲]