黄庭坚的一段跋文中有关《竹枝》曲调的几点信息  

Several Information on Zhuzhi Tune in a Postscript by Huang Tingjian

作　　者：吉文斌[1,2] 

机构地区：[1]复旦大学中文系博士后流动站 [2]上海电机学院国际教育学院

出　　处：《黄钟（武汉音乐学院学报）》2013年第3期27-31,113,共6页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：黄庭坚途经三峡时创作了《竹枝词二首》,还将其创作经历写在了跋文中,而这段跋文正是研究《竹枝》曲调的重要材料。依据跋中所记,我们获知了《竹枝》曲调与古乐府《女儿子》之间的亲缘关系;同时,考知了《竹枝》曲调在流传过程中曾出现过的"主体歌辞(一叠〈相当于两个七字句〉)+泛声(一叠或数叠)"的调格。Huang Tingjian created Two Zhuzhi when passing through the Three Gorges, and wrote his creative experience in postscript,which is important material for researching on the tune of Zhuzhi. According to the written in postscript,we got to learn that the ties of consanguinity between tune of Zhuzhi and ancient Yuefu（a name of poetry type）Nverzi, and meanwhile, take an examination of knowledge that the tune of Zhuzhi had been appeared ＂Subject lyric （one refrain〈amount to two sentences of seven-Chinese characters 〉） ＋Fan sheng （one or more refrains） during the process of spreading.

关 键 词：黄庭坚 《竹枝》 《女儿子》 曲调 调格 

分 类 号：J605-053[艺术—音乐]