京剧声腔与钢琴艺术的完美结合——张朝先生钢琴曲《皮黄》的音乐特征及其演奏  

The Perfect Combination of Beijing Opera Tunes and Piano Art

作　　者：童薇[1] 

机构地区：[1]中央音乐学院钢琴系

出　　处：《黄钟（武汉音乐学院学报）》2013年第3期177-187,共11页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：作为当代中国钢琴音乐创作中的经典作品,作曲家张朝的钢琴曲《皮黄》以其独特的创作思维方式将中国传统艺术京剧与钢琴艺术完美的融合在一起。文章以此曲为例,从分析、总结这部作品的背景、创作特征及演奏特点入手,揭示这部作品深刻的意韵与内涵,探究中国钢琴音乐作品独特的表达方式,以期对中国风格钢琴作品的演奏与发展产生有益推动。As a contemporary classic of Chinese piano music, composer Zhang Chao＇ s piano music Pihuang combined the Chinese traditional art of Beijing Opera with piano art perfectly in an individual creative thinking way. To this music as an example, this paper analyzed and summarized the work of the background, creative features and playing characteristics, revealing its profound meaning of rhyme and connotation, ex- plored the unique means of expression of Chinese piano music, in order for promotion of playing and developing the piano music with Chinese style.

关 键 词：张朝 钢琴曲《皮黄》 京剧元素 演奏技巧 

分 类 号：J624.1[艺术—音乐]