检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:颜敏[1]
出 处:《中国比较文学》2013年第3期96-107,共12页Comparative Literature in China
摘 要:许地山的作品显现了从晚清到"五四"的时代转换中,现代中国的南洋叙事发生的种种变化。首先,晚清带有观游印象的写实方式转换为带有想象性的写意形式;其次,南洋"人"的形象由晚清"沉默的他者"转变为有反思精神的启蒙者形象;第三,中国与南洋的关系由晚清"我和失去的封地"的所属关系转化成"我和你"的对话关系。在这些变化之中,一种新的异域话语方式已经显现,从中我们能体味出"南洋"之于现代中国乃至世界的独特意义所在。Xu Dishan's writings embodied the changes of Nanyang narratives of modern China from late Qing to the May 4th Movement. First, the realistic writing style like that of travel notes in late Qing was replaced by imaginative representation. Secondly, the image of Nanyang's people changed from silent others to reflexive enlighteners. Thirdly, the rela- tionship between China and Nanyang changed from that of "owner and lost territory" to that of equals in a dialogue. Unique significance of Nanyang for the world as well as mod- em China can be discerned in the new form of Xu's writings.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.31