文徽徽以溢目,音泠泠而盈耳——张藜歌词创作论  

Eyes Overflowed with Tattooed Writing,Ears Delicated by Cool Tone——The Creation Theory of Zhang Li’s Song Poems

作　　者：陈煜斓[1] 

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《漳州师范学院学报（哲学社会科学版）》2013年第2期80-85,共6页Journal of Zhangzhou Teachers College:Philosophy and Social Sciences

基　　金：教育部人文社会科学研究资助项目(编号:11YJA760008)

摘　　要：歌词创作既是张藜在人生路上全部行程的伴奏曲与独立自由个性的形象写照,也是中国现代社会发展过程的一个缩影与见证。张藜以"非介入"的诗意表达,抵制和逃离权力政治的写作模式,并突破歌词一般的情感宣泄和浅薄的心灵安慰。他把情感浸润在景物上,把笔落在生活的细节上,水与缸,泥与筐,辘轳和井绳,山与河,车与辙,碾与磨,睡与渴,这些平常事物的丰富寓意,能令人动情,教人深思。张藜的歌词,朦胧中有鲜明,谐趣中有严肃,内涵深刻,境界极高,凸显了歌词的文化内涵和人文精神。Song poem, considered as the accompaniment bend in Zhang Li＇s life, is also a historical record in the development of Chinese modem society. Expressing the fecl in the poems without ＂getting involved in＂, he broke the normal pattern of getting emo- tion off one＇s head and comforting superficial soul, so as to brunt the accepters soul by true feel to life. His lyrics, both having the opposite equality of vagueness and distincmess as well as humor and seriousness, have deep connotation and extremely high realm and highlight the cultural connotation and humanity spirit in the song poem.

关 键 词：张藜 歌词特性 人道关怀 距离美学 

分 类 号：I227[文学—中国文学]