《清明上河图》研究综论与反思  

Research Review and Reflections of Riverside Scene on the Ching Ming Festival

作　　者：陈海花[1] 唐应龙[2] 

机构地区：[1]贵州大学人文学院,贵州贵阳550025 [2]云南大学艺术与设计学院,云南昆明650031

出　　处：《贵州大学学报（艺术版）》2013年第2期32-35,共4页Journal of Guizhou University Art Edition

摘　　要：有关《清明上河图》研究文章数以百计,涉及绘画内容与艺术特色,真伪鉴别与作者身世等各个方面;在方法上也出现与文献、民俗相对照的多重证据研究,提出建立"清明上河学",成就不凡。但也存在精于考据、疏于反思的缺陷;《清明上河图》内容之丰富、仿作之多样,可以作为研究中国历史及绘画艺术演变的重点案例,只有将其研究与现实结合,才能推陈出新。There have been hundreds of research articles about Riverside Scene on the Ching Ming Festival concerning its contents, artistic features, authenticity and painter~ biography etc. In research methods, there has been a multiple - proof study with reference to documents or folklore, even some scholars suggest setting up ＂ Studies on Riverside Scene on the Ching Ming Festival＂. The achievements sound to be outstanding, yet it seems to be excessive in textual authen- tication while a paucity of reflection. Riverside Scene on the Ching Ming Festival can be a key case to study Chinese history and the evolution of Chinese painting with its abundant contents and various replicas. Only by unifying research and reality, can new critical achievements be brought forth.

关 键 词：艺术特色 历史哲学 清明上河图 

分 类 号：J222.2[艺术—美术]