从单件青铜乐器看岭南早期文化传播  

Early Cultural Transmission South of the Five Ridges Viewed from Single Piece Bronze Musical Instruments

作　　者：曾美英 孔义龙[2] 

机构地区：[1]广东文艺职业学院音乐表演系,广东广州511400 [2]华南师范大学音乐学院,广东广州510006

出　　处：《美育学刊》2013年第4期101-106,共6页Journal of Aesthetic Education

基　　金：广东省哲学社会科学基金"十一五"规划项目<汉化进程中的岭南音乐研究>(GD10CYS03)的研究成果之一

摘　　要：岭南早期的青铜乐器指的是西周时期该地区的青铜乐器。据现有资料,西周当是岭南青铜乐器出现的最早的时代,甬钟则是岭南地区早期乐钟研究中最重要的对象。先秦时期岭南地区的礼乐文化至少经历了岭外传入、吸收融合与独立发展三个阶段,这种阶段性特点在青铜乐钟的编制和性能上有所表现。西周时期岭南地区已发现的乐钟是以单件出现的,该地区真正的编钟在春秋时期才开始出现,礼乐文化异步态势由此开始。As far as the existing data unearthed are concerned, early bronze instruments south of the Five Ridges refer to the bronze musical instruments of the Western Zhou Dynasty in that region. Unlike in the north, bronze instruments of Shang Dynasty have yet to be unearthed in the south, Western Zhou Dynasty remaining the earliest age of the bronze instruments. As the most important musical instrument of Western Zhou Dynasty, the Yong Chime naturally became a key object of early research in music chimes south of the Five Ridges. The ritual music in pre-Qin Dynasties experienced at least three stages, namely, introduction from north of the Five Ridges, absorbing integration and independent development, evidenced by the serialization and functions of the chimes. The music chimes dating from the Western Zhou Dynasty are single piece chimes and it wasn＇t until the Period of Spring and Autumn that serials chimes emerged, marking the beginning of asynchrony in rit- ual music.

关 键 词：岭南文化 单件青铜乐器 青铜乐钟 甬钟 文化传播 

分 类 号：K875.5[历史地理—考古学及博物馆学]