当代文学的动物进城书写与文化寓意  

Contemporary Literary Writing of Animals into City and Its Cultural Implication

作　　者：许心宏[1] 

机构地区：[1]安徽财经大学文传学院,安徽蚌埠233030

出　　处：《中北大学学报（社会科学版）》2013年第3期71-75,共5页Journal of North University of China：Social Science Edition

摘　　要：当代文学史上,特别是20世纪90年代以来的文学叙事中,除了乡下人进城的书写,尚有乡下动物进城的书写。从乡村中国转向城市中国,在现代化与现代性的二律背反中,文学的动物进城不过是对现代人生存处境的虚化、陌生化书写。文学对其空间迁徙的生存症候的构想,喻示的是现代人的文化心理冲突、文化身份、生存地位、家园意识等主题。In Chinese contemporary literature, especially since the 1990s. novels describe not only countrymen who went into city, also animals. In the antinomy of modernization and modernity during the period from rural China to urban China, the theme of animals into city is fictionalized and defamiliarized writing, merely representing the situation of human survival. Literary imagination of survival syndrome on animal in the process of migratory suggests those subjects about people on cultural conflict, cultural identity, survival status, and home consciousness in the survival.

关 键 词：动物 进城 文化身份 生存地位 家园意识 

分 类 号：I206.7[文学—中国文学]