文明与雕塑——解析汉唐陶马俑的艺术造型与社会文化背景关系  

Civilization and Sculpture—The Analysis of the Relationship between the Figurines Modeling of Han Tang TaoMa and Social-Cultural Background

作　　者：陈克[1] 

机构地区：[1]广州美术学院雕塑系

出　　处：《雕塑》2013年第3期60-61,共2页Sculpture

摘　　要：汉唐陶马在中国整个封建社会发展过程中,是最具特点的明器雕塑艺术,是汉代斗志与力量的集中体现。文章将从历史角度出发,观察陶塑的艺术特征,分出两类对比,即绝对的动势和相对的静势,再从造型细节上进行挖掘。通过对汉、唐陶塑的艺术对比引申到社会的文史价值与艺术的关系,进而带动人们对现当代文化社会与当代艺术之间关系的思考。In the development process of feudal sodety in China, Han Tang TaoMa is the most characteristic funerary sculpture. Articles from the historical point of view to observe the art characteristics of poffery, and divided into two types for contrast, that is the absolute kinetic potential and relative static potential, and for excavation from styling details. Through the art contrast of poffery of Han and Tang extended to the relationship between cultural and historical value and art, in order to stimulate the thinking of the relationship between contemporary sodety and contemporary art.

关 键 词：汉代 唐代 陶马俑 

分 类 号：K876.3[历史地理—考古学及博物馆学] J305[历史地理—历史学]