论“私奔”叙事的现代演绎  

Modern Transformation of Elopement Narrative in Chinese Literature

作　　者：宋剑华[1] 

机构地区：[1]暨南大学中文系,广州510632

出　　处：《北京社会科学》2013年第4期24-33,共10页Social Sciences of Beijing

基　　金：教育部人文社会科学研究项目(10YJA751063)

摘　　要："私奔"叙事是中国文学创作中一个常见现象,它不仅深刻地反映了古代知识精英对于女性社会群体的同情之心,而且也表现了中国女性追求自我解放的心灵历程。五四以后的中国现代文学创作,虽然没有延续使用"私奔"这一古老词汇,但是却以"出走"概念取而代之;隶属于思想启蒙的"出走"现象,也因其与传统"私奔"叙事的意义相通,向读者暗示着民族审美观念的历史传承关系。Elopement narrative is a common phenomenon in Chinese literature, which not only conveys the sympathetic feelings of ancient intellectual elite for ancient females, but also displays the complicated inner thoughts of Chinese females when they were pursuing self-liberation. In modern Chinese literature after the May 4th Movement, the word ＂leaving home secretly＂ （chu zou） substitutes for the word ＂elopement＂ （si ben）, which, due to the association between ＂ leaving home secretly＂ and enlightenment, suggests the historical passing down of ethnic aesthetical concepts.

关 键 词：“私奔”叙事 传统与现代 娜拉现象 中国言说 

分 类 号：I206[文学—中国文学]