文学小传统下的个体记忆与小说诗学——论宗璞《野葫芦引》  

Individual Memory and Novel Poetics in Literature Tradition: A Review of Zong Pu's Novel Yehulu Yin

作　　者：毕文君[1] 

机构地区：[1]东华理工大学中文系,江西抚州344000

出　　处：《石家庄学院学报》2013年第5期74-78,117,共6页Journal of Shijiazhuang University

基　　金：教育部人文社科青年基金项目(11YJC751002);江西省社科规划项目(12WX28)

摘　　要：宗璞《野葫芦引》为探讨作家在文学记忆与历史细节的缝隙间如何经个人文学小传统而浸润出深厚而别致的审美底蕴提供了极具价值的个例。从文学传统的内在融合来看,《南渡记》《东藏记》在女性视角与知识分子心态的描摹上显现了独特的艺术价值。同时,作家对于战争的书写与关于历史的看法也将《西征记》里对世态人情的表现作了更为细致的审视。而已经完成的三卷本小说文本中对"野"这一小说诗学的建构方式,则从文学范本选择与长篇小说文体自律性的关联中为趋向世情/虚构流向的史传诗学提出了切实的当下指向。Zong Pu＇ s four-volume novel Yehulu Yin provides a valuable case for how writers infiltrate profound and unique aesthetic culture through personal literary tradition in the gap between literary memory and historical details. From the perspective of the internal integration of literary tradition, Nandu Ji and Dongzang Ji show unique artistic value on female view and portrayal of intellectuals＇ state of mind. At the same time, the writer＇ s description of wars and the view of history offers a more detailed look at the performance of ways of the world in Xizheng Ji. How-ever, the construction way of the ＂wild＂ poetics in this novel can give the practical current instruction to historical poetics of trend of the world/fictitious flow from the relevance between the literature model selection and the novel style of self-discipline.

关 键 词：宗璞 《野葫芦引》 文学小传统 个体记忆 小说诗学 

分 类 号：I206.7[文学—中国文学]