普罗科菲耶夫舞剧《罗密欧与朱丽叶》的和声技法分析  

Harmonic Analysis of Prokofiev Dance drama Romeo and Juliet

作　　者：吴小璋[1] 

机构地区：[1]星海音乐学院音乐基础部,广东广州510006

出　　处：《艺术探索》2013年第3期97-100,5,共4页Arts Exploration

摘　　要：普罗科菲耶夫舞剧《罗密欧与朱丽叶》的和声语言具有鲜明的时代烙印。多样化的和声材料是构筑其音响风格的重要基础。和声进行方面,在保持和声总体风格为功能性的基础上,作曲家运用了同向、反向和斜向三种线性进行。在部分音乐片段中,作曲家采用了片段无调性及片段多调性两种现代性的调性思维。The Harmonic language of Prokofiev Dance drama Romeo and Juliet has a bright characteristic of the era.Diversity Harmonic material is an important basis in forming the sound style.Three linear succeesions had been used by the composer,which were same,reverse and oblique direction,on the basis of versatility of maintaining the overall style in the respect of harmony.In the part of the music clips,the composer used two kinds of modern tonality thinking: fragments polytonality and fragment atonality.

关 键 词：普罗科菲耶夫 《罗密欧与朱丽叶》 和声材料 和声进行 调性思维 

分 类 号：J614.1[艺术—音乐] J733