从黄梅剧《公司》看中国戏曲的现代性改革  

On the Analysis of Modernity Reform of Huangmei Opera from the Opera Company

作　　者：叶当前[1] 

机构地区：[1]安庆师范学院文学院,安徽安庆246052

出　　处：《艺术探索》2013年第3期117-120,5,共4页Arts Exploration

基　　金：安徽省重点研究基地项目"新世纪黄梅戏剧本创作研究"(2010sk360zd);安庆师范学院青年项目"黄梅戏演出形态研究"(sk201013)

摘　　要：黄梅剧《公司》作为韩再芬主演的黄梅戏"三部曲"之一,以现代经典为目标,现代性特点突出。首先,剧本对现代性社会问题给予充分关注。其次,采用高科技的舞台及舞美设计,运用现代音乐与现代化道具,处处张扬着现代美学风采。而《公司》演出后引起黄梅戏改革与传承问题的论争,属现代性学术论争。The opera Company is one volume of the trilogy performed by Hang Zaifen,which has a goal on modern classic,has prominent modernity.Firstly,its script paid attention to the modern social problem.Secondly,modern high-tech arena and stage design and modern music props was used in the performance.It displays with a modern aesthetic style.There emerged debate on the reform an inheritance of Huangmei opera after the show,which is a modern academic controversy.

关 键 词：戏曲 黄梅剧 《公司》 现代性 

分 类 号：J825[艺术—戏剧戏曲]