白话文运动中的文章观念  

The Idea of Literary Writings in the Vernacular Movement

作　　者：王本朝[1] 

机构地区：[1]西南大学文学院

出　　处：《中国社会科学》2013年第7期145-161,207-208,共17页Social Sciences in China

基　　金：国家社科基金重大项目"中国现当代文学制度史"(批准号:11AZD064);教育部新世纪优秀人才支持计划项目"20世纪中国文学生产方式与文学意义和形式"(批准号:NCET-10-0661)的阶段性成果

摘　　要：在五四运动中,白话文取代文言文宣告了一个时代的结束,也标志着另一时代的开始,于是白话文学的新纪元得以确立。白话文运动不仅改变了中国文学观念,而且建构了白话文章观念。在这一运动的历史发展中,围绕白话文章观念的建构,经历了从倡导与确立、到质疑与批评、直至自我反思和调整的过程,呈现出从提出"文章即说话"、到质疑白话何以成文、直至探索怎样作好白话文的观念变迁,显示了白话文章观念建设的动态性和复杂性。白话文观念的建构之所以能获得成功,还在于它借助了新文学的创作实践。白话文和新文学在内容和观念上发生着多重的意义交集,它们相互促进也相互制约,既推动了文学现代性和文章社会化的变革,也使新文学处于适应社会时代选择和追求审美理想的两难处境中。In the May Fourth movement,the replacement of classical Chinese by vernacular Chinese marked the end of one era and the beginning of another,the era of vernacular literature.The vernacular movement not only changed the view of Chinese literature,but also established the idea of vernacular writings.In the historical development of the movement,the conceptualization of vernacular writings saw a shift from advocacy and establishment to suspicion and criticism,and thence to self-reflection and selfadjustment.Accordingly,people's view also underwent a change from 'writing is talking'to doubting whether vernacular Chinese can make good writing,and thence to exploring how to write good vernacular essays,demonstrating the dynamism and complexity of the conceptualization of vernacular writings.The successful conceptualization of vernacular writings owed as much to the creative practices of new literature.Vernacular literature and new literature shared much in common in content and concept,in a way of promoting and constraining each other.On one hand,this facilitated the transformation of literary modernity and socialization,and on the other,cast new literature into a dilemma between responding to the changing times and pursuing aesthetic ideals.

关 键 词：白话文运动 白话文 新文学 文章观念 

分 类 号：I206.6[文学—中国文学]