清代民居建筑装饰中的礼仪伦理文化——以江西大塘汪山土库为例  

Culture of Ritual Ethics Embodied in the Decoration of the Residential Building in the Qing Dynasty:A Case Study of Wangshantuku Residential Building at Datang of Jiangxi Province

作　　者：李枝秀[1] 

机构地区：[1]南昌大学艺术与设计学院,江西南昌330031

出　　处：《云南民族大学学报（哲学社会科学版）》2013年第4期145-149,共5页Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)

基　　金：江西省社会科学研究"十一五"(2010)规划项目"鄱阳湖生态经济区建设中古村落保护与发展研究"(项目编号:10WX63)阶段成果

摘　　要：在封建社会,礼仪作为融德、刑、政为一体的教化之道,在政治、经济、文化制度,甚至建筑制度上无一不打上深深的烙印。清代民居建筑的礼仪伦理表现尤其突出,其砖雕、石雕、木雕、彩绘等都含蓄地彰显了封建社会的尊卑之礼、君子之仪、宗族伦理文化。清代民居所涵盖的某些优秀传统文化要素,具有极强的生命力和广阔的适应性,对其加强发掘和保护具有深远意义。In the feudal society,the culture of ritual ethics was a means of civilization which integrated morality,punishment and politics into an organic whole and left some deep impression on the political,economic,cultural and architectural systems.The residential buildings of the Qing dynasty carried with themselves rich implications of ritual ethics,including the brick carvings,stone carvings,wood carvings and colorful decoration that revealed the hierarchy,rituals and ethical criteria of the feudal society.The residential buildings of the Qing dynasty embody some fine cultural elements of China and have much vitality and wide application,whose protection and development has great significance.

关 键 词：清代民居 汪山土库 建筑装饰 礼仪伦理 

分 类 号：G172[文化科学]