Musical Urbanism between Radicalism and Tradition： A Reflection on the Architectural Discourse of the 1920s  

作　　者：Florian Edler 

机构地区：[1]Faculty of Music, Berlin University of the Arts, Berlin D-10963, Germany

出　　处：《Journal of Civil Engineering and Architecture》2013年第6期767-780,共14页土木工程与建筑（英文版）

摘　　要：In the aftermath of the First World War, various compositions emerged that explored the phenomenon of the modem city by translating the clamorous sounds of urban environments and reflecting them artistically in the medium of music. With the rendering of poetic and esoteric moods unrelated to practical life considered outdated, musical preoccupation with modem architecture mostly concemed social aspects, such as people＇s circumstances, their emotional rootedness to bygone conditions and the search for orientation in an environment characterized by technology. There is a parallel here with contemporary architectural debates in which tension between modernism and traditionalism also played a key role.

关 键 词：Modernist architecture machine music musical urbanism 1920s Antheil Hindemith Prokofiev. 

分 类 号：TU-80[艺术—艺术设计] TS954.5[建筑科学—建筑设计及理论]