李渔“宜”论造物设计观探微  

Civilian Consciousness in Li Yu's Design Thoughts

作　　者：付黎明[1] 谢云霞[2] 

机构地区：[1]吉林大学艺术学院,吉林长春130012 [2]吉林大学文学院,吉林长春130012

出　　处：《艺术百家》2013年第4期145-148,216,共5页Hundred Schools In Arts

摘　　要：李渔是我国明末清初著名的文人造物设计家。他关于造物设计的思想大皆收录在其《闲情偶寄》中。其以"宜"为核心而展开的重要造物设计思想,称之为"宜"论造物设计观。这种"宜"论造物设计观的多元向度主要表现在造物设计之适用、造物设计之节俭以及造物设计之审美等三个方面,集中体现了以人为本的美学观念和天人合一的美学思想。李渔的"宜"论造物设计观在当今为了追求经济利益而以污染环境和浪费资源为代价的浮躁而缺乏和谐观念的设计风潮中,具有引人深思、发人深省的重要意义。As a famous designer, Li Yu＇s design thoughts have a rich sense of civilian consciousness. It mainly is re- flected in such 3 aspects. Firstly, his design could be used by almost everybody. Secondly, the content of his design contain devices people use in daily life. Thirdly, he advocates simplicity but opposes extravagancy. Li Yu＇s distinctive life experiences and special environment he lived in together promoted the generation of his civilian consciousness.

关 键 词：中国传统文化 工艺美术 李渔 “宜”论 造物设计观 以人为本 天人合一 

分 类 号：J50[艺术—艺术设计]