胡适的“不用典”与古代诗论用典观念  

On Hu Shi’s not using allusion and the tradition of using allusion

作　　者：李丹[1] 

机构地区：[1]上海师范大学人文与传播学院

出　　处：《北方论丛》2013年第4期26-30,共5页The Northern Forum

基　　金：上海市哲社课题"中国现代新诗理论与古典资源"(编号:2012BWY005);上海高校一流学科(B类)建设规划项目;上海市教委科研创新项目(编号:13ZS090)阶段性成果

摘　　要：胡适在文学革命时期倡导"不用典",并非彻底排斥用典,而是对拙劣的用典现象进行批驳,对于工巧的用典仍然认可,这与传统诗论一脉相承。胡适的倡导,旨在促使新诗摆脱传统诗歌语言模式的束缚,从而建构起以口语为基础的新的诗歌用语样式。典故作为文化财富,具有时间性和超时间性两方面因素,能否准确把握这一属性,是工典与拙典的差别。Hu Shi has advocated not using allusion during the New Literature Revolution, he did not refuse using allusion but criticised the inappropriate use of allusion, and he accepted using allusion relevantly. As the treasure of human culture, allusion is not only transitory but also eternal, whether one could grasp this two natures of allusion, determined his ability in using allusion.

关 键 词：胡适 文学革命 新诗 典故 

分 类 号：I206.6[文学—中国文学] I207.22