西洋美声唱法与甘孜藏族原生态唱法异同之比较  

On the Similarities and Differences between Western Bel Canto and Garze Tibetan Primitive Singing Method

作　　者：江影[1] 

机构地区：[1]四川民族学院音乐舞蹈系

出　　处：《四川民族学院学报》2013年第4期93-97,共5页Journal of Sichuan Minzu College

基　　金：四川民族学院校级项目"甘孜地区藏族民歌演唱技术研究"成果之一;项目编号:11XYZB003

摘　　要：二十世纪初,风靡全球的美声唱法开始传入我国,因其发声方法的科学,迅速成为我国各大专业音乐院校和高师音乐专业的骨干课程。近些年来,原生态唱法开始在各级各类音乐艺术舞台上暂露头角,以其浓郁的民族气息和惊人的技术技巧征服了观众,我校地处民族地区,在招生方面既有内地来的美声启蒙的学生,也有来自少数民族地区原生态唱法的学生,而我系的声乐老师90%都是美声唱法出身,对于那些来自大山深处的藏族学生,在教学上很是困扰,笔者研究西洋美声唱法与甘孜藏族原生态唱法异同,旨在使两者能相互借鉴、契合发展,对民族高校声乐教学起到一定的作用。At the beginning of the 21st century, the world- fashionable bel canto was introduced into China. Due to its scientific way of sound pronunciation, it rapidly became the backbone course of music major in China＇s various professional music colleges and higher normal universities. In recent years, the primitive singing method began to show up on musical art stages at all levels and astonished audiences with its strong ethnic charm and amazing technique. The author studies the similarities and differences between western bel canto and Garze Tibetan primitive singing method, aiming at ensuring their mutual reference and coordinated development, so as to have some effect on vocal music teaching in university for nationalities.

关 键 词：西洋美声唱法 甘孜藏族原生态唱法 异同比较 

分 类 号：J605[艺术—音乐]